Just finished up three books in the last week, and I thought I might share them with you. Be well, friends, and keep reading. Huzzah!
This made me think about the stories we're told from an early age about ourselves, and how quickly we adopt those stories and make them our own. It's made me realize how cautious we need to be about not putting labels and stories on kids, because it doesn't take long for them to own them and carry on the tale.
Evening and huzzah, goda människor, from a basement out here in central Minnesota. I hope this missive finds you all safe, sound, hearty, and hale. Nearly bedtime around these parts, but I wanted to hop and post something before hitting the rack.
Finished up The Girl in Red by Christina Henry last week. Fun retelling of the Red Riding Hood narrative set in an apocalyptic, plague-ridden United States. Cordelia, or Red as she prefers, is walking to Grandma's house, and doing her best to avoid, outsmart, and overcome the military, ruthless militias, and scavengers intent on harm. … Continue reading Summer Reading: Christina Henry’s THE GIRL IN RED
Just finished watching PBS' excellent documentary on Ursula K. Le Guin, and would highly recommend checking it out when you get a chance.
Nearly finished with Chuck Wendig's apocalyptic tome, Wanderers, and I wanted to share a powerful exchange between two central characters (Benji, a CDC specialist, and Matthew, a broken and defeated pastor who's lost his faith). No spoilers here, just one of those heady truths we so often find in good fiction.
Stålenhag is a Swedish visual artist, writer, musician, and tabletop RPG designer, and it seems as though he's been churning out his creative projects for a number of years. As with much of the cool art that's out there*, I'm only learning about it now, hence the whole "late to dinner" phrase in the title.
How Long 'Til Black Future Month? is a solid collection of Jemisin's short fiction spanning her career. And in each selection she delivers on her world building, much in the same way she did in The Fifth Season: inserting information as it becomes relevant to the narrative, avoiding huge info dumps.
Currently the journal's taking submissions for its third issue (in fact, this weekend it'll be free to submit), and if you have a piece of fiction or nonfiction, a poem, or a hybrid text of some type, and a connection to Wisconsin's Chippewa Valley you should send it on in.
The Cabin at the End of the World: Eerie, intense, heart-wrenching thriller. Tension so thick you could bludgeon it with a specially hand-crafted doomsday gardening tool.